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Indelible something that cannot be removed or erased, something unforgettable and memorable. Ephemeral lasting a very short time, temporary. Indelible Ephemeral something that can't be measured or defined because of its brief passing, yet forever remembered. Dominique Dupuy, a French choreographer was the first to term modern dance as "the indelible ephemeral." This would be an accurate description of modern dance, if there were ever a single definition.
Modern dance is something that one witnesses, and subsequently departs with an impression made within them which will be forever lasting. Many choreographers want their works to make an effect on the observer. Some want more than just an effect, they want remembrance. A good example of this is through the works of Pina Bausch. She manipulated the stage to something completely different than any other designer. She recreated Stravinsky's ballet, Sacre du Printemps, to involve a stage covered in dirt, symbolizing the earth. The dancers moved through this, churning the dirt and permitting it to smear across their bodies. In Arien an enormously constructed hippopotamus swayed across the floor as the dancers covered space through the water flooded stage. Bausch produced fantastic creations that were unforgettable and very much temporary.
Another choreographer that toils with temporary works is Merce Cunningham. His work with chance choreography is extremely momentary until a set order is chosen. This is a process where the choreographer gives up their self will and leaves decisions in the hands of fate and/or the dancers. The order may be determined by a die. This may make the dance set before performance, or may be cast as the performance is taking place. When the die is cast during the piece itself, the dance is certainly short-lived. The same action will not occur again unless fate makes a duplicate appearance, which is highly unlikely considering the extreme possibilities involved.
Modern dance has evolved from breaking the rules to being set and formalized. Choreographers such as Martha Graham and Doris Humphrey fixed rules within their choreography. These rules that were set are not as traditional as classical ballet previously had and still maintains. Modern dancers have rules that fit their style of dance. Martha Graham initiated breathe, contraction and release. Humphrey instigated fall and recovery. These ideas are unique and innovative to their names. Others that studied under them may have picked up their techniques and incorporated them into their works, but by no means have they became the rules to all of modern dance.
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The methods used for choreography are continuously changing within modern dance. Some dances are choreographed with feelings and ideas, where as people like Merce Cunningham choreographs with a single movement and then manipulates it. Paul Taylor creates full length concerts based on pedestrian movements, seen in Esplanade. Choreographers in the Assemblage period compose with the use of everyday "junk." Murray Louis is a good example of this. Another form of modern dance was Happenings, where mixed-media productions were produced according to intuition and free association.
Another way that modern dance has evolved is with the time period in which the choreographers have lived. Each World War has change the outcome of works in the 100s. Some works are still revealing the messages from these past occurrences. Select people embraced the feelings that came out of the war where as others made sure there was no link to the war. A choreographer and teacher that did both of these is Hanya Holm. She made sure that there was no link to the German government so others would continue to dance with her. She also used images of the world condition from World War I to the 10s in her work, Trend.
With all the different aspects of evolution through dance and choreography, the world is open to contemporary dancers today. We have the option of choosing to use events in the past, emotions, pure movement, or base our choreography on the time we live in at this moment. Earlier modern dancers have paved the way for our creations in dance. They opened the door for us, which gives us the ability to make our own decisions based on our personal growth and knowledge. With the facts given about past choreographers, contemporary composers know the limits need to be pressured to continue the advancement in the art. We understand the work they put into this field and are ready to take it to new levels and continue to improve the world around us through dance.
Modern dance is continuously changing, yet always leaving its mark in history. Through the evolution of this genre the title, "the indelible ephemeral" has sustained. This is the one phrase that may be the most accurate of all the definitions and collaborations within modern dance. Until another person surpasses this reasoning, the title shall remain.
Bibliography
Anderson, J. (17). Art Without Boundaries Iowa Iowa Press.
Blom, L.A. & Chaplin L.T. (18). The Intimate Act of Choreography Pittsburg University of Pittsburg Press.
Merriam-Webster Online." 00. Merriam-Webster, Incorporated. 1 March 00 http//www.m-w.com/dictionary.htm.
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