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Marie Forsa (Maria Lynn) was the greatest erotic actress. She was a cute little blonde Swedish thing, slender and pert, but with subtle dark rings under her eyes that give her a vaguely doomed look she looked for all the world like Helen Slaters little sister. She was not an accomplished dramatic actress, but for simulating sex (or simulating emotion during real sex) she was peerless.
Forsa starred in many XXX films, yet there is (almost) no hardcore footage of her anywhere, which has led to much controversy and misinformation about her career, so lets get to the bottom of it.
Forsas career closely followed that of Christina Lindberg, who was Swedens reigning nudie queen during Forsas early career. Lindberg didnt go all the way in any of her films, and doing hardcore sex would have been a career killer it still is. Always leave em wanting more. Sex film fanciers are faced with a paradoxthey always want more, but are more entertained when given less. The most precious commodity in adult film is the sense that you are seeing something special or precious.
Forsas contract with the producer of most of her films stipulated that she was NEVER to have sex on camera, or have any clear genital shots. Her public image was limited to about what was shown in Playboy magazine in the mid-170s. Was this prudery or clever career management? Either way, it worked brilliantly. Forsa was the top-billed star in numerous XXX films and yet there isnt a single really explicit shot of her having sex, or even a genital close-up.
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Or is there?
Forsa was an unusually uninhibited young woman, and there is no doubt at all that she often engaged in real sex on camera. Though her contract stipulated that she do only softcore work, the real concern was her public image, not her personal virtue. In fact, she seems to have done something very rareshe had sexual intercourse with her co-stars on camera that she knew would just be cut out of the final film, because she wanted to have sex with them... even in front of an entire film crew, or perhaps because she was in front of an entire film crew.
She did hardcore acting that was trimmed down to softcore, and frequently then edited back up to hardcore using inserts of other womens bodies. Why would directors work with an actress who exerted such remarkable control over her image, since everyone else in those films simply does whatever is asked of them? Because she was that good.
What mattered (to her career) was the final edit, not what she did on the set. Since she was frequently working hard, Joe Sarno and Mac Ahlberg clearly had some footage in the can that included well lit genital close-ups and hardcore sex (given the way movies are made as a technical process, there is no way around that statement) which could never be released. Thats not unusualimagine how much nude footage is shot of Hollywood actresses to come up with a few seconds of fleeting nudity in the finished film. The most be hours of unused takes of Jennifer Connelly from Mullholland Falls, for instance, but that footage will probably never be released in any form, despite being highly marketable.
The use of inserts of hardcore footage of other actresses makes it all confusing, since Ahlberg and Sarno employed very clever tricks. There are hardcore fellatio scenes in FLOSSIE that are supposed to be Forsa, but are actually a stand-in, where the girls entire face is shown. And it works.
The definition of hardcore has always been a moving target, so what did it mean in Sweden in the 170s? And what did it mean to Forsa? There are lots of stray snippets of film involving Forsa that are hardcore by contemporary American standards. No matter what her contract said, the film is always the best evidence of the film.
So here is our opinion of what Forsa did and didnt do.
BUTTERFLIES Perhaps the hottest sex scene ever filmed -- the bedroom scene with Eric Edwards towards the beginning of BUTTERFLIES, is actual Forsa hardcore. There was an XXX edit of BUTTERFLIES, but the original softcore edit isnt softcore; merely tasteful hardcore. Marie Forsa did NOT do any of the added close-up inserts in BUTERFLIES XXX, but everything in the original BUTTERFLIES is her. These comments are about the Seduction Cinema original edit that we currently carry. In the Eric Edwards scene there are many clear hardcore shots of she and Edwards having sex -- tasteful and subtle, but still undeniably Forsa and undeniably hardcore. So whats up with that? The evidence is so plain that the only reason anyone would even consider that they arent just flat-out doing it is that the original release of BUTTERFLIES is supposed to be softcore. Perhaps we can shed some light... here is what Eric Edwards had to say
My first European movie was for Joe Sarno. In Butterflies I starred with Harry Reems and Maria Forsa. I found it a great joy to be flown to Europe, put up in a hotel and get paid to have sex also. Those were soft core films though I couldnt help myself with Maria. I did it hard anyway. Maria and I had a fling. It was wonderful. She was just my style. Whenever Id go back to Europe, we couldnt help ourselves. We screwed everywhere - out in the bushes, in the Jacuzzi, anywhere we could, even in dangerous places where you could get caught such as in a public pool where people could walk in any time. Wed do it five or six times a day. Those were my good ol days.
This helps clear things up, and the state of affairs was as we deduced -- she was an uninhibited woman who had sex on camera, but pretended she didnt for career reasons. Every shot of her having intercourse suggests a possible way the shot could be faked, even though the were NOT faked. During the Watergate scandals, this was called plausible deniability. The more you look at her films, the more amazing the charade becomes. There is never a single frame of film that shows her face, and shows an undeniable hardcore element. Forsas latter sex scenes with Harry Reems in BUTTERFLIES are also hardcore, and also full of plausible deniability.
Edwards comments also explain why that scene in BUTTERFLIES is so incredibly erotic. Keep in mind, soft core has had a thousand different definitions over time and geography. BUTTERFLIES is a hardcore film by American definitions, but was a soft core film by the regional definition Sarno was working with in 175 Sweden. It is so rare for an actress to have an unfeigned sexual response on film... how ironic that one of those few instances may be in a soft core film!
BEL AMI Forsa was the female lead in this lovely XXX movie, but doesnt have the most screen time. She was a star! Harry Reems has sex with the entire cast, and its all hardcore except the scenes with Forsa. We are confident that she and Reems were really having sex in BEL AMI, though. They seem to be, and she had intercourse with Reems filming BUTTERFLIES, so why not in BEL AMI?
MOLLY Ms. Forsas tongue is on another womans labia during one of the lesbian scenes. No way around that. In 170s Europe reticent Sapphic oralism probably wasnt considered a big deal. Hiding the penis has always been the biggest distinction, with many surprisingly anatomically explicit scenes of girls (like in some German sex comedies) that dont even show one second of even a flacid penis.
FLOSSIE The body doubling in Flossie is the most audacious in cinematic history. In the fellatio close-ups in the first sex scene, you see the girls entire face at times, and how could that be fake? Well, it is! Notice the shape of where the mouth meets the cheek... now, towards the beginning of the first decadent orgy scene, there is a shot of a girl reclining on her right side (her head to the left of the frame), and that is her mouth. No doubt. So Ahlberg had the bravado to cut in FACIAL close-ups of a porn extra that looked a little like Forsa.
The girl-girl masturbation scene poses a problem the hand doing the close-up masturbating seems to be Forsas hand, so is that her blonde vulva? Tough to say, since the same distinctive vulva seems to show up in a hard-core close-up later in that film. So if the masturbation close-up is real, then Forsa did her own XXX insert work for FLOSSIE. Did she? Probably not, but it is a damn good match for her build and coloration... The vagina double for Forsa in Flossie was probably the girl in the blind-folded boyfriend scene that the guy eventually has intercourse with. Again, a girl that looks a lot like Forsa, and not the same girl as the fellatio double.
But maybe Forsa did some of her own vulval close-ups in FLOSSIE... the plausible deniability is in full effect. During the masturbation scene there is no shot that shows Forsas face, and any vulval detail at the same time, and the close-ups are obviously inserts. But are they her? We used to be certain they were not, but now we can only say its probably not, because of...
IMMORAL TALES Walerian Borowczyks IMMORAL TALES may be the best narrowly erotic film of them all, and its fitting that Forsa has a cameo. During the Countess Bathory story Forsa appears (un-credited) for a few seconds as one of a mob of 0 girls attacking the Countess. The countesses pearl necklace is ripped off. Forsa puts some of the pearls in her mouth. She spits the pearls into her left hand, takes one large pearl with her right hand, and presses it against her private parts in close-up. Since she is little more than an extra, theres no compelling reason to use a body double, and its impossible to imagine Borowczyk wasting his time with games like that... he considered himself an artist, not a pornographer.
Still, theres always room for paranoia in any Forsa scene. Is it really her? In IMMORAL TALES, it sure is. Though the sequence is divided into three shots, you see her spit the pearl into her hand, and the pinkie on her right hand has a tiny mark or mole below the second knuckle, and its the same hand as in the following close-up. (DVD to the rescue) So since we know there is a genital close-up in IMMORAL TALES, is it the same vulva as in the FLOSSIE masturbation scene?
Like we said... 50-50. The hand looks right, and theres no visual evidence that it isnt. It could be. Its awfully close. If FLOSSIE is ever released on DVD, it should be possible to say for sure.
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