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Sharman MacDonald
Sharman MacDonald is from Glasgow. An actress on graduation from Edinburgh university who gave it up to write. In 184 her first play 'When I was a girl I used to scream and shout' was premiered at the bush theatre and won the Evening Standard Most Promising Playwright award. It went on to be produced at The Lyceum in Edinburgh, in the west end and throughout the world…not bad for what started out as a wager between Macdonald and her partner. The Glaswegian actor and playwright, was broke, sick of acting and impatient for a second child. Her partner rebuffed her request to increase the size of their family for financial reasons. He didn't want to bring up another child on a diet of lentils and canned tomatoes. Desperate, Sharman gambled her future. She bet her partner she could sell a script. If she won, then another child was hers. When she wrote her first play in 184 it was instantly snapped up by the bush theatre. The rest (as they say) is history!
Sharman MacDonald writes in a very contemporary way. In one sense she articulates the feelings, advantages and curses of old age in 'The Winter Guest', and them almost simultaneously, she turns her attention to the moment where youth becomes young adulthood in 'Borders of paradise'.
'The Winter Guest' was commissioned and directed by Alan Rickman at the West Yorkshire Playhouse and the Almeida Theatre in London. The film version starring Emma Thompson and Phillida Law premièred at the Venice Film Festival in 17. In the play it is the coldest day to memory in a coastal Scottish town. On this day four sets of people explore their relationships and lives in general. Frances, a recently widowed photographer, must not only deal with her loss, but also with her doting, elderly mother Elspeth. Frances cant stand her mothers constant criticisms and interfering, that unbeknownst to her, really veil worries that her daughter will move away. Frances' teenage son, Alex, also strains to deal with the loss of his father. He must also put up with the flirtatious attention paid to him by Nita, a free spirit with whom he develops an awkward romance. Meanwhile, to young boys skip school and talk about life and growing up. On the flip side, Chloe and Lily, two elderly women, spend their free time attending strangers' funerals. As the four sets of people deal with their problems and the exceptionally cold weather, they learn about life, each other and themselves.
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In 'Borders of Paradise' Sharman MacDonald explores the world of teenagers. It is a coming-of-age story set on a beach in Devon. Five boys from the midlands travel there for a surf holiday England being famous for its warm sandy beaches where they meet two Scottish girls, one fleeing the advances of a lecherous teacher, the other tagging along as "best friend". Throughout the story the young group all learn about themselves and their friendships, and about how fragile friendship can be.
There are no mentions of which writers influenced Sharman, but her play 'After Juliet' a follow up based on William Shakespeare's' romantic tragedy 'Romeo and Juliet' shows that she has studied and most likely admired the more classical writers of the time. In ' After Juliet' a tense truce is held between the Capulets and the Montagues after the deaths of Romeo and Juliet. Romeo's best friend Benvolio is in love with Rosaline, Juliet's cousin; but Rosaline is only after one thing…revenge! The play is timeless - it could be set at any time from 1500 to 045, and it could be set anywhere from Verona to Glasgow.
Other works by Sharman MacDonald are 'The Brave' which was produced at the bush theatre and 'When we were women' at the National Theatre. 'All things nice' opened at the Royal Court directed by Max Stafford-Clark; 'Shades' premiered in the West End. She also writes for TV and radio. 'Wild Flowers', a film-script, was made for Channel Four and Her libretto 'Hey Persephone!', with music by Deirdre Gribbin, was performed at Aldeburgh and the Almeida. She has also written two novels, 'The beast' and 'Night night'.
By Kirsty Cunningham
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