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King Lear incorporates many different sets of images that remain consistent throughout the entire play. They are used to represent the characteristics of many of the main characters, illustrate important ideas that relate to the plays central themes and also provide a form of explanation that helps the audience gain a better understanding of some of the plays key events.
The images presented in the opening scene of Act one are prophetic. They are used to foreshadow many of the later; more elaborate use of imageries and provide a brief introduction to their importance in respect to many of the plays central themes. Lear calling upon nature when Cordelia displeases him with her words marks the beginning for what will become a very intense relationship between him and nature. His statement to 'confer duties onto younger strengths, while we unburdened crawl toward death", unintentionally takes on an even more literal meaning that what he proposed, as his actions and 'blindness' drive him to madness, where in the storm, he becomes like a 4legged wild animal, crawling closer and closer towards his end. The images of the womb and birth are also important, relating closely to the themes of human existence and legitimacy.
One of the more important prophetic images in this scene is the introduction to the idea of nothing and Lear's belief that 'nothing will come of nothing'. It is used ironically to explore Lear's preconception that 'nothing' is something meaningless and insignificant, when in fact it is what he considers to be 'nothing' that leads to his later downfall. When his daughters proclaim their love to him, Cordelia opts to say nothing that goes beyond the scope of her true feelings. Lear however, sees only ignorance in her words, thus banishing the only truthful daughter he has, setting himself up for disaster.
A similar thing happens in the sub plot involving Gloucester. He considers nothing to have no real value ('nothing hath no such need to hide itself') thus reading the letter that is apparently 'nothing' and then his disaster begins.
Both these plots may also be connected to the recurring image of the eye and its relationship to the theme of reality vs. appearance. Both stories are bombarded with images relative to sight, which is significant to the two men's inability to see the truth. Lear is blinded by his need for flattery-the words of his daughters are false but he is unable to see this. When he banishes Cordelia, Kent begs him to see reason, stating "See better Lear, and let me remain in the blank of thine eye". But it is only through madness that Lear is able to see reason and truth.
Gloucester's connection with the eye imagery is explored in both a physical and metaphorical sense. In Act , his eyes are gouged out by Cornwall, making him physically blind. Before this however, he was mentally blinded. It is through his physical blinding that he is actually able to see the truth and gain a sense of insight that he had before lacked. He realizes it was Edmund who deceived him, not Edgar. When stopped on the way to Dover by an old man, he says, "I have no way, therefore need no eyes. I stumbled when I saw" showing his sudden realization of how stupid he had been.
Lear also uses distinct reference to images of carnivorous animals when talking about his two daughters, Goneril and Regan. He calls them 'detested kites' and 'serpent like' with a 'wolvish-visage', each of these alluding to animals that feed on another to satisfy their own needs. They are used in a derogatory sense, to convey Lear's anger and hurt by what he considers to be filial ingratitude and unnatural.
The images used in King Lear are important as they help the audience gain a better understanding of what the play is initially about. Without them, the irony explored throughout the play would not seem so ironic, and the play itself would lack the depth it currently has.
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