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Discuss the Development ofLady Macbeth's character

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Lady Macbeth's character changes greatly throughout William Shakespeare's 'Macbeth'. In this essay I will use the scenes featuring Lady Macbeth to establish the changes in her character. I will incorporate themes such as change and background, which further the show the gradual development, and diminishment, of her character.


The first impression of Lady Macbeth comes in Act 1, Scene 5 when she has received Macbeth's letter. She recites the story of the three witches and their predictions; Macbeth will be Thane of Cawdor and King, and Banquo's children will be Kings thereafter. Lady Macbeth's character is then unmasked and you see her need for power and success. "Hie thee hither, that I may pour my spirits in thine ear". She wishes for Macbeth to hurry back to Dunsinane so that she can dismiss her fear that he is "too full o' th' milk of human kindness". She feels Macbeth would want to be king, and that he would be a good one; "Thou wouldst be great". However, she feels this could only happen without the evil that would come with it; "What thou wouldst highly, That wouldst holily", meaning 'You want greatness but only by fair means'. Lady Macbeth is headstrong and is determined to quench Macbeth's loyalty and respect for the King "To catch the nearest way" meaning to kill Duncan, thereby leaving the throne open for them. Here you see the great power she holds over Macbeth, she can manipulate his mind to consider killing someone he greatly respects and honours. Lady Macbeth calls evil spirits to "unsex me here". She wants the strength to do what she is planning and feels the only way to do this is to lose her femininity and become masculine and bitter. She wants "no remorse" to "shake my fell purpose" because she fears that she will feel such pain and grief after the murder or weakness before that she wont be able to carry it out, or wont be strong enough to live with it. She calls a "thick night" and "the dunnest smoke of hell" to the skies so that she will not see the dagger kill Duncan or God see her. When Macbeth returns from the battle she is flirty and welcoming; "Great Glamis, worthy Cawdor, greater than both". She hints of her plans to kill Duncan with "Thy letters…purposes" and then presents her plans to kill Duncan that night "o Never shall sun that morrow see". She tells him to "beguile the time, look like the time" meaning she wants him to deceive the world but wear suitable expressions. Here is where you first see the powerful hold Lady Macbeth has over her husband. She uses her sexuality to seduce and persuade him out of his noble thoughts and into the evil spirits that have come to her. The way he reacts to her evil intent shows his submission "We will speak further". At this point Macbeth is still loyal to Duncan, but he still doesn't have the strength to flatly refuse Lady Macbeth's plan to kill the King. In this scene Lady Macbeth's hold over Macbeth is slowly growing. She has used her power and holds Macbeth under her fist, he still has not bent totally to her will, but slowly is complying.


At the beginning of Act 1, Scene 7, Macbeth thinks over Lady Macbeth's plan "If it were done, when 'tis done, then 'twere well it were done quickly", he thinks that if it ended once the murder was committed, then it would be good to get it over with quickly. However, after further thought he decides it would be an unjust plan and changes his mind "I am his kinsman and his subject" he also feels that he has "borne his…meek" (exercised his powers so humbly). Macbeth tells Lady Macbeth "We will proceed no further in this business". Lady Macbeth challenges his decision with accusations that he is cowardly "live a coward in thine own esteem" and of "Letting 'I dare not' wait upon 'I would'" (letting fear getting the better of desire). She asks him who made him "break this enterprise to me?" She tells him he is unmanly and attacks his honour, bravery and manhood all the things Macbeth was famous for. She tells him she would have "plucked my nipple from his boneless gums, and dashed the brains out, had I so sworn as you have done to this". Meaning she would kill her baby rather than break this promise, attacking his strength. She at last beats Macbeth's will and he gives in to her; "If we should fail?" Again, you see the hold Lady Macbeth holds over her husband; he went from a flat refusal to admiration of her "undaunted mettle". Macbeth is now as determined as Lady Macbeth to carry out the murder "I am settled". In this scene Lady Macbeth uses her sexuality and persuasion skills to completely manipulate the mind of her husband. She changed his mind within a couple of minutes and used her lack and love of children to show Macbeth her passion and need to kill Duncan for the throne. This scene shows the reader the strength of her hold over Macbeth, she now has him bent to her will.


Act , Scene shows Lady Macbeth's feminine side. At the beginning of the scene in which Duncan is killed Lady Macbeth thinks she hears noises of the night "Hark! Peace! … I heard the owl scream and the crickets cry." Her weakness for King Duncan is also found "Had he not resembled my father as he slept, I had done it". She sees him as a father figure in his life and in this situation she could not kill him. When Macbeth tells his wife of the voices he thinks he has heard she dismisses him by saying he's lost his strength and that he is being idiotic and mad "to think so brainsickly of things". When Macbeth has killed Duncan, he brings the daggers back down to where Lady Macbeth is waiting. This enrages Lady Macbeth and she calls him "Infirm of purpose", weak minded, and tells him to grow up. She then completely takes control and takes them back upstairs to soak the chamberlains in blood. Once the murder has been carried through she supports Macbeth and tells him it'll all be over once they have washed the blood from their hands. She directly compares herself to Macbeth at this time "My hands are of your colour; but I shame to wear a heart so white". When a knock is heard at the gates of Dunsinane castle Macbeth panics and again Lady Macbeth takes control and orders him to get washed and to put on his nightgown. Lady Macbeth does show her weaker side in this section of the play, but she regains her strength once Macbeth's strength has diminished. This scene shows the reader the origin of Lady Macbeth's downfall.


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Lady Macbeth plays a small but important part in Act ,Scene . Duncan has been found murdered and she comes to see what the commotion is about. When she finds out what's happened she faints. This opens up many questions for the reader; did she fake it? Or does she feel remorse for what she's done? I feel it was a bit of both. What she did has only just hit her and the shock overcomes her, and she wants to seem weak and distraught, as she 'should' have done at that time. Here is where the first transaction of strength is apparent to the reader. Macbeth keeps a strong face, and although his rash decision to kill the chamberlains is a dense one, he manages to cover it up and appear mad at the thought of treason that ruthless. Here is where Macbeth regains his strength and his wife begins to lose her grip on Macbeth and her hold on masculinity.


In Act , Scene Lady Macbeth is uneasy about their position "Where our desire…doubtful joy". She feels they have all they wanted and yet she is not happy. She feels she is living in a joy full of fear and that it would be safer to be "that which we destroy" meaning Duncan. When Macbeth enters, equally worried, she covers her thoughts and acts confident and tells him not to dwell "of sorriest fancies". She tells him "Why think them on" and that "what's done is done". Lady Macbeth continues to urge him to forget what's done and tells him to "be bright and jovial among your guests tonight". She uses this strong and confident mask to her husband to try and prove to him, and herself, she still has a hold of power. Macbeth does eventually stop dwelling, and hints of his plan to kill Banquo. Lady Macbeth doesn't know what he is saying but he tells her she will approve "Then be thou jocund." This scene emphasises Macbeth's new grip on his power, he is playing a game not telling her what he's planning and gradually she is becoming more 'wife-like', not being involved with the King's affairs and dealings.


In ,4 Macbeth slips up again. At the Banquet he sees Banquo's ghost sitting in his seat at the table and panics. Lady Macbeth worries that he may something that will give them away for the murder of Duncan. She tells the guests to sit and that he has had this condition since he was born and that it would pass soon. When they are alone she again takes control and tells him "O proper…fear" that it is nonsense and just a figment of his imagination and fear. She again attacks his man hood "quite unmanned in folly" meaning he is without the qualities of manliness in this madness. Lady Macbeth is not feeling the guilt of Banquo's death like Macbeth is because she was not behind his murder. Although she had some part to play in it, she did not no of the plan until it had been carried out, therefore taking the burden of responsibility off of her. Again in this scene Lady Macbeth regains her hold on Macbeth but again loses it by the end. She makes excuses for him in front of the guests, but once they are gone she falls quiet and the strain of the evening takes hold of her. Macbeth however makes more plans and intends to visit the three witches to find his future. Instead of stopping the bloodshed, he aims to continue on the same path.


The importance of Lady Macbeth in the play is shown quite obviously in the lack of scenes she features in after the madness of Macbeth is quenched. In Act 5 her lady-in-waiting and a doctor watch her whilst sleepwalking. She is stood washing her hands over and over again. In her sleep she says "out damned spot"; Lady Macbeth is re-living the night they murdered Duncan. She is washing the blood of her hands, but one spot wont come off. Lady Macbeth now feels the murder of Duncan was pointless because she has all she wanted and is not happy. She really regrets the assassination "Who would have thought the old man to have had so much blood in him?" Her mention of the Thane of Fife is important because she is disturbed by the fact that Macbeth murdered his children and wife out of spite for Macduff. This especially affects her, as Lady Macbeth wants above all children of her own and the fact that he just murdered Macduff's in cold blood. When the doctor tells Macbeth Lady Macbeth's illness is not medical, Macbeth's response is for the doctor to "Raze out…brain" to rub out the troubles imprinted on the mind. When the doctor tells him the patient must do that herself, Macbeth responds "Throw physic to the dogs, I'll none of it". This would have pleased James I as they were his sentiments. Here Macbeth seems not at all bothered by his wife's illness. He tells the doctor to find a cure for Scotland and leaves. In her final scene she commits suicide. When Macbeth hears this, he speaks on the insignificance of life "It is a tale…nothing" a completed story full of words and emotion, it is meaningless. After a short speech, a messenger comes with the news that Birnam wood is moving. With this news, Lady Macbeth is forgotten.


Lady Macbeth is a controversial figure. She is seen by some as a woman of strong will who is ambitious for herself and who is astute enough to recognise her husbands strengths and weaknesses, and ruthless enough to exploit them. They see her in her commitment to evil and in her realisation that the acquisition of the Crown has not brought her the happiness she had expected, and finally, as one who breaks down under the strain. Others see her as a woman ambitious for her husband whom she loves. She recognises the essential good in him, and feels that, without her, he would never have won the Crown. She allies herself with the powers of darkness for his sake, but here natural femininity breaks down under the strain of the unnatural murder of Duncan and the alienation of her husband. She is seen as simple and realistic where Macbeth is complicated and imaginative. She can see what must be done; he visualises the consequences.


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