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Georges Braque, along with Pablo Picasso, founded the Cubist movement between the years of 10 and 11. Working alongside one another, sometimes in collaboration, they became the founders of the movement vital to many of the well- known movements of the twentieth century.
Braque became well known among artists for his early work as a Fauvist but it was his work recreating Cezanne that got the attention of the art community. Louis Vauxelles, a writer, first commented â€Braque has reduced his canvas to little cubes, (Hunter, 1) and so the coining of the name â€cubism. It was obvious to the art community that Braque was not simply trying to recreate Cezanne, but that he had derived the â€sensation of bulk… without depicting literal mass (Wilkin, 4) from him. This idea can be seen in his painting from 108 called â€Houses at L’Estaque in that the houses seem to have mass even though classical ideas about perspective and shading are disregarded. It was not just the mass of things which interested Braque but the spaces between masses in what he called-â€this path that one takes to go toward the object. (Wilkin, 4) This idea along with Braque’s â€quest for space… the materialization of space I could feel (Wilkin, 4) lead to the tenets of what we now call the cubist movement. Cubism was all about the dissection of geometric planes. It threw out all classical ideas about perspective and form. In his painting from 10-110 called â€Violin and Palette, Braque is beginning to dissect planes to the point of abstraction. Although, you can still make out a violin in the bottom left corner and a palette in the top left it appears as though you are seeing the still life from all angles at once. The geometric planes seem to be â€crystallized as glittering continuum of fragmented for and faceted space. (Hunter, 140) It is from theses facets that the work seems to evolve. In 110 to 11 Picasso and Braque’s work in geometric facets seems to briefly lead to total abstraction. Though it may seem this way, these two artists never believed themselves to be abstract painters. In fact, if you carefully examine the work of this period you will surely find an arm or the strings of a violin. This can be seen in the painting â€Pedestal Table by George Braque from 111. At first glance this painting seems to only be a series of monochromatic brown facets and angles. When taking a closer look, one will notice the musical notes printed on what seems to be sheet music. The upper right corner reveals the curved neck of a violin. In 111 Braque paints â€The Portuguese; for the first time, â€stenciled or commercial letters appeared on the surface of Cubist pictures. (Hunter, 14) This was the beginning of what is now known as Synthetic Cubism. This new twist on the cubist movement involved inserting â€bits of reality out of context…to achieve an effect of psychological surprise…while also forcing the frontal plane into new prominence and thus stressing the reality of the painting surface. (Hunter, 14) â€Clarinet of 11 was one of Braque’s many collages utilizing this new technique. Using a variety of materials, such as cut paper, charcoal, chalk, gouache, and oil paint, Braque creates a still life composition focusing on a clarinet. The clarinet is composed of drawn elements in charcoal on the canvas as well as on paper cut out of a political journal. During this time of Synthetic Cubism, the Cubist collage seems to at once fully mature leaving no room for further evolution, at least for Braque. Picasso continues to play with collages and sculptural forms of cubism but in 114 Braque was sent off to war, later to return with a new outlook on his painting style. It is not long after Braque leaves that Picasso’s style changes. It seems as thought the Cubist movement, though an original creation of Braque, could not survive once the two artists were no longer in collaboration. However, the works of these two artists were greatly influential in the works of later artists such as Gris, Dulaunay, and Leger. Each of these followers took the concepts of the cubist movement and made them into something completely new.
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