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Can't Pay? Won't Pay! Is a farce by Dario Fo. We watched it performed by the Jakarta Players in the British International School's theater. This play was originally written in Italian and then translated to English.
The set was a walled backdrop. It was D and made of what seemed to be cardboard. It was small and the audience looked down on it. I learned that an unstable set can be distracting to the audience because I often found myself questioning whether it would break or fall down.
There was a lot of controversial topic incorporated into this play. Premarital Sex, the contraceptive pill vs. the pope, bosses vs. workers/rich vs. poor, the morality of stealing, swear words, and women's roles such as women cannot be priests. With modern audiences these topics were more humorous than shocking, which is always something to consider.
One of the main things that bothered me once the play started is that the women walked in from shopping with Hero bags. Surely there was no Hero and no plastic bags for shopping back in the day in Italy. I think it would have been better if they had more realistic props. Furthermore, if they were going to translate it to English, they should translate everything. I think it might work better if they took the play and set it in, say England. Then the confusion of the language and the setting would not be a problem. Often the characters would talk about money and say something like "Well it costs 00 lira" and I'd have to remind myself that 'oh yes, it is supposed to be Italy'.
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Probably the most important thing that I learned involved actor-audience relationships. Most of the time the actors did not fully act towards the audience but to the other actors. Some would be very obviously talking out towards us and others would talk to the actors while also efficiently projecting. I found it much more enjoyable to watch the actors who pretended we were not there. One woman became less believable and pleasant to watch because she would turn her head out towards us instead of towards whom she was speaking with. It made me realize that I often act out at the audience when it is not required to break the fourth wall. I think that next time I perform this is something I should really think about.
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