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To Be or Not to Be
There is an age-old conflict within the human soul as to why man is here and whether one has the choice to leave. These are the questions that poet Robert Frost has introduced in his poem "Stopping by Woods on a Snowy Evening". He uses images of woods, a horse, and a frozen lake as a means to express the conflict within the main character, a lonely traveler, by creating an atmosphere of alluring peacefulness that causes the traveler to have to decide between difficult life and easy death.
Frost begins his poem by immediately informing the reader that it is set in the woods. "Whose woods these are I think I know." (line1). The traveler perceives the woods as a place where he can be alone and at peace. This gives the reader a question first and then a quick but timid answer. Often times, one questions something even though the answer is known. Some call this a conscience, others God. Because "His house is in the village, though," () he lets the reader know that he feels alone and distant. Most likely, the speaker is referring to God when he speaks of the owner of the woods, and he is beginning his tale by saying that he does not feel God's presence. He imparts that God is in the village (). The village is also full of other people. The traveler is feeling quite depressed and lonely at this time. The reference to the owner of the woods not seeing that the traveler is stopping by to watch the woods "fill up with snow," (4) refers to the traveler stopping to examine his own life. The snow symbolizes the slow dying of that life. When people are in severe depression and loneliness, they get the feeling that even God does not see them or understand them, especially not in the distant woods.
The second stanza opens by immediately introducing another character in the form of the traveler's horse. The horse represents the man's life that is carrying him along on this journey. His horse has stopped at the traveler's command "without a farmhouse near" (6). The horse is uneasy stopping this close to the lonely woods on "the darkest evening of the year" (8) in unfamiliar territory, and it is questioning, "must think it queer," (5) whether or not this is the correct thing to do. The horse gives a shake of his "harness bells," () trying to get his master's attention and distract him from the mesmerizing "sweep of easy wind and downy flake" (11-1). When people place themselves in danger they become extremely uncomfortable and something inside of them tells them that they must leave the danger. The "harness bells" () disclose at this point in the poem that the traveler is not riding on horseback but is a passenger in a sleigh. The important difference between the two is that a rider on horseback can feel the animal beneath and the animal reacts to the rider more sensitively than a passenger in a sleigh. The traveler feels as though his life is carrying him along and he does not have the control for which he wishes.
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The speaker later introduces references to a "frozen lake" (7) on "the darkest evening of the year" (8) as the setting. The traveler has decided to look at the woods instead of the frozen lake. In literature as well as other occasions, it is common for water to refer to life, and frozen water can therefore represent suspended life or even death. By looking into the dark, quiet, and peaceful woods, the traveler is longing for the change that his presence in the woods would bring, but turns his back on the frozen lake. Here, one senses the conflict within the traveler that he wishes for something different, but has not committed to the acceptance of death. "The darkest evening of the year" (8) points directly to the depth of depression that the traveler has reached. In this stage, life always seems to be better everywhere except where one is.
As the poem comes to a close, the main image is restated, " The woods are lovely, dark, and deep," (1), but this time the cold of the snow is not mentioned. Quickly, the reader is pulled away from the momentary lapse into deep thought by "But I have promises to keep," (14). "The woods are lovely, dark, and deep," (1), and they are longingly looked into by a man who has to make a decision. The decision is whether to venture into these woods or not. The traveler has remembered that he has promises to keep and commitments that he has made in his life that have not yet been fulfilled. Even though the traveler is in the deepest darkest point in his life, he realizes that his life has long journeyed ahead and that he will continue on that journey.
Frost, Robert. "Stopping by Woods on a Snowy Evening." An Introduction to
Literature. Ed. Sylvan Barnet et al. 1th ed. New York Longman, 001. 850
851.
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