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The production of Brecht's chalk circle was devised to deliver a political message whilst still providing entertainment for his audiences, "art ought to be a means of education, but its purpose is to give pleasure." His actors were always detached from their characters and this therefore would reflect on the audience being unable to sympathise or involve themselves too much into a character and miss the message Brecht was trying to convey. He was a firm believer that actor should be doing their character rather than being their character. In other words he thought that you should just play the role rather than really mean it and be engrossed in the character as if you were actually them in their life circumstances. He thought the actor's role should be that of a storyteller or demonstrator rather than providing an accurate historical replica. His character consisted of stereotypes and one sympathetic character but was insistent that this character remained distant from the audience. This idea was put forward in the production of the Caucasian chalk circle.
The production contained narration in the form of musicians and singers, which provided a light-hearted entertainment but it also carried the plot and points Brecht wanted the audience to listen to. They kept the audience informed or educated whilst entertaining them something Brecht believed in firmly. The singers and musicians were also holding placards containing morals or the message or questions that the current scene was trying to put forward. The characters themselves were caricatures some heavily and others not so. Some actors played several characters mainly smaller roles but this also helped in becoming detached from them. The characters used gestus to great effect most notably in the scene between Grusha the corporal and the woman of the house. As the corporal enters she falls to her knees as a sign of respect. She is however shaking which would dictate that she was doing it out of fear rather than out of respect as she appears.
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